"Vagina Monologues" - Illuminati Porn Goes International

February 15, 2016


The Vagina Monologues is a lesbian porn play that has been performed thousands of times in 77 countries, most recently in Nepal.

Katmandu - Feb 14, 2016- The second day of the Vagina Monologues 2016, or Yoni Ka Kathaharu, drew in a sold-out crowd at the Mandala Theatre, Anamnagar on February 13. ...Madalenas Nepal is deeply rooted within Madalenas International and Theatre of the Oppressed. It was developed to recognise the need for female creative spaces to explore violence and oppression related to gender. In the director's note, Akanchha Karki says, "Vagina Monologues is not just a play or a compilation of stories, it is a beautiful liberating experience. It is a celebration of sexuality, identity, life, pleasure and love. It is a celebration of women."


"The Vagina Monologues" violates and debauches women in the spurious name of "social progress." Mankind has been inducted into the Illuminati (Cabalist) cult  which is behind Judaism, Communism, Zionism, Socialism & Feminism. Satanism dehumanizes people by reducing us to our basest sexual and material desires. Feminism teaches women to serve the bankers instead of their families. First, Jews and Freemasons were victims of Cabalism, and through them, humanity as a whole.

By Henry Makow Ph.D.

(Updated from Oct. 24, 2001)

"The Vagina Monologues" presents a sad picture of life at the dead-end of feminism. It is an anguished cry for male love by a generation of women deceived by feminism, who have no choice now but to become lesbians.

For women who are literally starved for love, the play provides a steamy experience of sexual intimacy, and initiates them into lesbianism.

Based on "interviews" with women, the play purports to rescue the female genitals from "cultural neglect." For example, the play describes a workshop in which women examine themselves with hand-mirrors.


(left, Communist raised right fist salute during performance at Dartmouth College three years ago)

"It reminded me of how early astronomers must have felt with their primitive telescopes," says author, Eve Ensler. They give their vagina nicknames, dress it up in imaginary outfits, and imagine what it would say if it could talk (e.g. "Where's Brian?"). At one performance at the Madison Square Gardens, 18,000 women were whipped into a frenzy of shouting "cunt" over and over.

They should have shouted "penis" because this is really about the loss of male love. Having squandered their femininity and youth, rejected or emasculated men, millions of women are now left sexually high and dry. These lonely bitter women form a potent political force for the Illuminati bankers. 


Both sexes need validation. Men these days don't like feminists and feminists know it. Every time we turn on TV, a man is beat-up or shown-up by a woman. Men resent that women have usurped the male role and deserted the feminine one.

This is what Ensler is actually experiencing when she says: "Our self-hatred is only the internalized repression and hatred of the patriarchal culture."

Women are justified in feeling unloved and unfulfilled. Ensler says that women want to be used for babies: "My vagina helped release a giant baby. It thought it would be used more than that. It's not."

The result is a profound sense of emptiness and need. "My vagina wants to go deeper. It's hungry for depth. It's hungry for kisses, kindness. It wants to stop being angry. It wants everything. It wants to want. It wants."

It appears that only a man can staunch this gaping wound. Ensler describes a boyfriend, Bob, who loved to gaze at her genitals for hours and made her feel good about herself for the first time.

She doesn't say what happened to Bob. The only other men in the play are Ensler's first husband, a philanderer, and some rapists in Bosnia.

Is there any doubt that lesbianism is the result of heterosexual dysfunction and failure?


 "The Vagina Monologues" quickly becomes a steamy chronicle of lesbian sex. In the first place, a fixation on female genitals by women is pure homosexuality. Forgive me for what follows but I'm trying to convey the pornographic character of this so-called play.


The author interviews a former tax lawyer who has become wealthy as a lesbian gigolo. "There are so many unfulfilled women," she says. "Women pay me to dress up like a man and dominate them."

She follows with a precise description of her art ("there are four fingers inside me, two are hers and two are mine") that turns Ensler on: "Come on," I said. "Come in."

A 12-year-old girl describes how her mother entrusted her to the care of a beautiful, worldly 24-year-old woman who then betrayed this trust by having sex with her: "She transformed my sorry-assed coochie-snorcher into a kind of heaven."

Ensler regresses with children stories of the "I'll show you mine if you show me yours" variety. She asks a six-year-old girl to say what her vagina smells like (snowflakes.) She informs us that the clitoris has twice the number of nerve fibers as the penis: "Who needs a handgun when you've got a semiautomatic?"

She describes finding her clitoris for the first time: "It was all warm and pulsing and ready and young and alive." I could go on but you get the idea.

Feminists apparently think that, when lesbians do it, an adult having sex with a 12-year-old child is OK. They also think that they can violate the natural innocence of a 6-year-old girl with invasive questions. 


A measure of our cultural timidity, depravity and self-delusion is that no major media critic has named this play for what it is.

"Ensler is an impassioned wit," says The Los Angeles Times. "A compelling rhapsody of the female essence," says The Chicago Tribune. "Spellbinding, funny and almost unbearably moving," says Variety.

The play has been performed in hundreds of American cities and universities, and in countries from Rumania to Zaire. Celebrity guest performers include Meryl Streep, Jane Fonda, Calista Frockhart, and Angelica Huston.

It was performed in Sarajevo by Marisa Tomei and Glenn Close who said Ensler is "giving women their souls back." Gillian Anderson (of the X-Files) says: "Eve Ensler is the Pied Piper. She is leading woman and the world to a different consciousness of women."

Ensler tries to position this pitiable lesbian primer in the mainstream. Her fellow Illuminati Jew, Gloria Steinem writes "men as well as women will emerge from these pages feeling more free within themselves and about each other." 


It is typical of feminists to portray lesbianism as emancipation. Ensler (left) has "come out" as yet another survivor of sexual abuse by her father. She has tied the play to the politicized cause of violence against women.

Her hatred of heterosexuality is evident by her choice of Valentine's Day, as "V-Day" or anti-violence day, when her play will be performed. She told Molly Ivens in TIME that the patriarchal (i.e. nuclear) family is "a deadly institution."


The irony of "The Vagina Monologues" is that feminists who regularly complain about sexual objectification embrace the play. There is no mention of love. 

This tendency to view sex as recreation and physical release reflects a self-destructive trend in society. Normally heterosexuals find sexual fulfillment in marriage and are able to turn their energies to more important things. Instead, we suffer from cultural arrested development manifested as a leering adolescent addiction to sex.

Finally, need I mention that the play outrages and destroys the mystery, modesty and reserve that is the essence of mature femininity? Like feminism itself, "The Vagina Monologues" masquerades as an affirmation of women. In fact, it is a sickening brutal assault on women.


Related- Feminism: The Jewish Gift to American Women

First Comment from Dan:

Henry, you're at your very best when explaining how the gender con works.  When I was a juvenile over forty five years ago, the vast majority of high school girls had never even attempted masturbation, and most never heard of such a thing.  I've been told by older men that boys didn't either before the Baby Boomer generation.  Such things just didn't come up in public education, or entertainment.  Old school mothers would keep an eye on children for signs of unhealthy fascinations.   Invariably, a child that discovered they could stimulate weird feelings by touching 'down there' were caught by their mom.  The cure was shaming, and a talk on the birds and the bees, Adam and Eve, the purpose marriage.  The priority of love over lust was explained.  Finally, suggestions were given on self discipline techniques in case of temptation.   This worked for at least 96% of the population. 

The key to splitting sexuality from love is teaching girls about masturbation and making it glamorous at the earliest age possible.  There was no scientific 'breakthrough', no medical research study required to discover that.  It was always known to pedophiles.  One of the foundational tenets of Feminism has been the replacement of procreation as the purpose of feminine sexuality with the female orgasm. 

Marketing masturbation to 'preemies' has been in full swing on Television for several decades.  At first it was very subtle.  But now - just watch MTV.   Or THE VIEW (which sports a big 'V' for it's logo, get it?).  Ellen Degenerate is always cracking explicit lesbian references. 

( Ellen gives Twerking lesson on the ellen show )

Hollywood exhibitionist porn "star" slash Feminist Annie Sprinkle did a running a 'Feminist workshop' that probably inspired 'sister' Eve Ensler's Vagina Monologues.   Sprinkle titled her one-woman sex show "Public Cervix Announcement".  The 'message' consisted of Sprinkle sitting spread eagle in a cabriole chair with her vagina splayed open with a speculum. The audience was encouraged to examine her cervix close up with a provided flashlight and magnifying glass.   (barf bag not provided). 

Comments for ""Vagina Monologues" - Illuminati Porn Goes International "

Old Salt said (February 16, 2016):

ALTJIRA, Robert and Phil have done an excellent job in exposing this rotten Bankster-boosted destruction of morality, mental conditions and so much damage to our shared culture in Canada and the USA.

I’ve written before about my fairly recent problems with both gays and lesbians.

In retrospect, I have remembered my first exposures to gays in the military who covered themselves by being P.I.T.A. Bullies. In one situation, I was lucky not to be targeted by a shipboard medic. There were several bullies, some of whom could have been gay in a Coast Guard boot camp.

Another bully was a thoroughly brainwashed Communist at an airbase in the northeast USA. I don’t think he was queer, but his rotten total control over his intended slave left me with little to wonder about.

Then my last big episode was the lesbian living next door to me in the apartment complex. That one totally ruined my relationship with several neighbors. Another man here at that time was also badgered into isolation in his apart- ment.

The tenants all learned about the uncaring attitude of the landlord company in another city not far from here. We were supposed to shut up and live with it. Several months went by before we finally achieved the much overdue settlement with that lesbian.

ALTJIRA said (February 16, 2016):

I know that the propaganda machine is a very powerful weapon used to promote degeneracy and insanity. The brainwashing in the schools and the media is effective and the educational system is not an educational system but a brainwashing tool that indoctrinates gullible people into a perverted worldview. The problem I have is why are people influenced so easily by such absurd ideas that would be considered an insane absurdity, even in a nightmare?

Why should such garbage as the Vagina Monologues, or Hamilton, or the Grammy Awards or the Super Bowl half time show be extolled and not rejected outright? After all the more I listen to homosexual propaganda, race war propaganda, affirmative action propaganda, feminist propaganda, diversity propaganda and pro immigration propaganda the more my resolve stiffens against such abominations. I don't believe our ancestors during the Revolutionary War, or any other time until recently, would have even considered such inane insanity that are considered "normal" nowadays, much less embraced them.

The only conclusion I can reach is that a majority of people do not have the capacity for rational thought anymore and cannot reason on their own and accept the filthy media, academia propaganda onslaught without any capacity to resist it. There is something that has happened in the last few generations that has distorted the mind set of the population and it has more to do than just propaganda, even though that has a big part in it. It seems that a mental distortion has taken hold of people and the reason for the "why" eludes me.

Robert said (June 23, 2011):

No doubt for purposes of facilitating control over people, our cultural and educational contexts are designed to create emotional
divisions within society. These go down to the level of the individual, in this case in the form of cultivation of the ego.

I've been reading Gore Vidal's memoir Palempsist, which exposes the homosexual/bisexual lifestyles of a large percentage of the artists, mainly writers, who have achieved (or been selected to have?) prominence in our time. As portrayed by Vidal, they are predominantly self-obsessed and jealous of their own status. Such are the people whose writings have been made "essential"
reading by bestseller lists and university curricula and who consequentially have become models for upcoming generations.

It is inevitable that consumers of their creations (especially the young) unwittingly absorb elements of their philosophical framework.

However, the 'self' is a sad prison to inhabit, for it excludes wonder--the realization that one neither has come into being nor exists from
instant to instant through any autonomous capacity; the questioning of what underlying purpose one's life has beyond what other people,
who are as unsuitable as ourselves for making such an important decision, say; the impenetrability of the relationships between mind and body and between thought and ideas; the discovery of the fulfillment deriving from love, etc. To be ridden by ego is to be denied the
experience of humility, which surely, despite all the marvelous achievements of mankind (which obviously do not devolve from one's own
merit), is the only realistic platform from which to study our selves and what we perceive as being outside our selves.

Contrary to popular opinion, to be humble is not to be small. Smallness results from domination by the ego, which is what feminism and
all the other "isms" (boosters of feelings of superiority) foster.

Phil said (June 23, 2011):

Dr. Makow – thanks for your expose of this popular pornographic play. It is a sign of a very sick culture that things like this are so easily accepted by society these days, along with torture as official policy, pre-emptive wars, and the slaughter of innocents. That anyone would even stage a play with such a name – I suppose it goes along with TV also permitting ads for condoms, tampons, and vaginal odor and itch remedies.

There is no sense of modesty, much less morality, to be found in American culture today. “The Vagina Monologues” - indeed! They only think it’s their vaginas – actually it’s a bunch of assholes spewing filth, undermining and furthering the perversion of what was once a great country.

One cannot help but draw the parallel with the fall of the Roman Empire with their orgies and other debasements. Thank you for your writing about this. I believe it has all gone too far now and that we are truly lost as a nation.

Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at