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Below- Insider: CIA Designed Rap Music to Boost Black Criminality (scroll down)

Zionist America - A Russian Perspective

February 22, 2019

(Weird satanic grip. Did they even need to blackmail this Zionist fanatic?)

The sheeple have one foot in the abattoir. But don't expect the Ziomedia to tell them. The border wall, tariffs, Jussie Smollett, elections are distractions from Jewish Power which poses as both Right and Left. 
In 1991, Vladimir Stepin wrote: "The Jews must have, and will have, undivided, absolute power over the whole world. The only point is that the money and the power, but particularly the power, will be achieved soundlessly, without attracting attention, and without occupying the leading roles until the very end."

This is why they must ban "anti-Semitism." 

by Vladimir Stepin
(Excerpts by 

The foundations of Zionism were formulated in ancient times, some three thousand years ago, and they are:

1. The Jews are God's chosen people.

2. All other peoples are merely two-legged animals (goys).

3. The Jews have both the right and the obligation to rule the world.

The second and third points of this three-in-one formula actually follow from the first. The formula, which was the brainchild of an undoubtedly talented politician, was among the foundations of the religion of Judaism (see the Book of Deuteronomy in the Old Testament). 

At that time people understood very well that if one is to lend force to one's intentions, one must express them as religious ideas. And one must also strengthen not only the religion but also its influence on people. ...

Another point is that the power of this formula lies in that it legitimizes and sanctifies the idea of robbing other nations. Why need we care about two-legged animals? If we are the chosen people and it is our inalienable right, and even our duty, to rule other peoples, then God himself ordered us to grow rich at their expense, as the saying goes. 

In this way, nationalism is placed on a material basis. Rob and rule! Rule and rob! Money and power! From the time the above-mentioned formula begins to operate, this becomes both a means and an end, but it nevertheless also becomes a more important means, a means for attaining the main objective contained in the third item of the formula: the Jews must have, and will have, undivided, absolute power over the whole world. The only point is that the money and the power, but particularly the power, will be achieved soundlessly, without attracting attention, and without occupying the leading roles until the very end.


 During the civil war in Russia, the Zionists also performed another task. Using some units of the Red Army - Trotsky was the chairman of the country's Revolutionary Military Council - they organized the Jewish pogrom in Seversk. The result of this was the "Law on Those Involved in Pogroms" of 27 July 1918. 

In accordance with this law, a monstrous Zionist terror raged in Russia for ten years: a person accused of antisemitism was, without any argument being allowed, declared to be involved in pogroms and placed against the wall to be shot. Not only anti-Zionists, but the best representatives of the intelligentsia of Russia, could be accused of being antisemitic, and so too could anyone one felt like accusing of it. People saw who was exercising power in Russia and expressed their discontent with it. 90% of the members of the Cheka - the Soviet security organ, 1918-1922 - were Zionists. 

Apart from the law on those involved in pogroms, the Zionists practised genocide against the ethnic groups inhabiting Russia, and they did so by accusing people of counter-revolutionary activities, sabotage, and so on, irrespective of whether or not the people in question really had conducted such activities. It was standard practice merely to put them against the wall to be shot.

The major operations conducted by the Zionists included setting up a system of prison camps. Skilfully using as a pretext the interests of discipline and orderliness, Trotsky and Dzershinzky organized the concentration camps in 1918. These were monstrous machinery for exterminating the people of Russia, machinery of oppression and intimidation, machinery of undivided power.

[MAKOW- If I were a betting man, I'd say Zionists put Hitler into power.]


The Zionists' money is their most important tool. Money is power - that is a well- known truth. But does everyone know that in the USA, for example, over 70% of the capital belongs to Zionists, and that their capital prevails all over the world? They have been accumulating it for centuries. The gold of all times and nations is amassed in the vaults of their banks. Both in the past and today, the Zionists' finances have not only served the basic function of finance, namely the principle that money brings more money, but have also been ...used to finance one measure or another, to provide loans, to organize conquests, wars and coups, to bribe persons in office, to bribe and finance leaders, groups, parties, to hire armies and bands, to develop trade and industry, to raise matters up or to bring them to destruction - all depending on the tasks being pursued by the Zionists.

In this connection, the corrupting power of money is colossal. A person who has become keen on the idea of accumulating money in order to obtain some benefits or other is already to some extent in the clutches of Zion. By operating with benefits and money, the Zionists can easily make such a person do the things they require: making jobs available, carrying out measures necessary to the Zionists, exerting pressure on unwelcome persons, taking part in financial machinations, and the like. When such a person enters into financial contact with Zion, he quickly understands its strength and bases himself on it. It is not difficult to continue to work on such a person in the spirit required by Zion and turn him into a reliable and obedient tool of Zionism.


Zion has many arms, and one of them is Freemasonry. Freemasonry practically came into being along with Zionism and is its fellow-traveller. 

The Freemasons fulfil approximately the same role for Zionism as the Jesuits do for Roman Catholicism. The early Freemasons were the builders of the Temple of Solomon. Large numbers of secret Freemasonic lodges have at all times served as a means of fooling people by promising to build a better world, a world of goodness, charity, equality and justice, but in actual fact as a means of enticing people into the nets of Zion, of placing them under Zion's command and, through those people, directing countries and events. There is a distinction between Jewish and Gentile Freemasonic lodges and organizations. 

The Gentile ones are of course lower in rank, but it is precisely through them that Zion exercises direct control. Influential politicians, public figures, scholars, persons active in literature and art, military men, members of the administrative machinery, and the like, are drawn into the Gentile lodges and organizations, and it is through such people that Zion's decisions are put into effect. 

Freemasonry is strong. But it is still only one of the arms. The head is Zion. Freemasonry must be combated. But the main blow ought to be dealt against Zionism, which controls Freemasonry. At the same time, one should bear in mind that, even without Freemasonry, Zion, by using its own strength, has achieved, is achieving and will achieve its own objectives if it is not stopped.


Note -- Leyba Davidovich Trotsky, whose real name was David Bronstein, said: "We must turn Russia into a desert populated by white negroes upon whom we shall impose a tyranny such as the most terrible Eastern despots never dreamt of. The only difference is that this will be a left-wing tyranny, not a right-wing tyranny. It will be a red tyranny and not a white one."

"We mean the word 'red' literally because we shall shed such floods of blood as will make all the human losses suffered in the capitalist wars quake and pale by comparison. The biggest bankers across the ocean will work in the closest possible contact with us. If we win the revolution, we shall establish the power of Zionism upon the wreckage of the revolution's funeral, and we shall become a power before which the whole world will sink to its knees. We shall show what real power is. By means of terror and bloodbaths, we shall reduce the Russian intelligentsia to a state of complete stupefaction and idiocy and to an animal existence... At the moment, our young men in their leather jackets, who are the sons of watchmakers from Odessa, Orsha, Gomel and Vinnitsa, know how to hate everything Russian! What pleasure they take in physically destroying the Russian intelligentsia - officers, academics and writers!..."

Taken from the "Memoirs" of Aron Simanovich, a jeweller at the court of the Tsar's Imperial Majesty.

From the newspaper "Russkoye slovo", No. 1.

Scruples - the game of moral dillemas

You can find this article permanently at

Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at

Below- Michael Berg adjusting to life in Russia (scroll down)

Insider: CIA Designed Rap Music to Boost Black Criminality

February 21, 2019


This shocking information has been online since 2012.

Music is used as brainwashing. In this case, hip-hop

was hijacked by the CIA to increase black drug use, misogyny and

criminality. The music executives were told it was to boost the

private prison industry, but obviously, it had a larger design --

to sabotage the black population and in so doing, US society as

a whole. 

The Secret Meeting that Changed Rap Music

by Anonymous

(abridged by 

After more than 20 years, I've finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music and ultimately American society. ...

Between the late 80's and early '90s, I was what you may call a "decision maker" with one of the more established companies in the music industry. I came from Europe in the early 80's and quickly established myself in the business. The industry was different back then. Since technology and media weren't accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed-door meeting with a small group of music business insiders to discuss rap music's new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I've ever seen.

The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. 

Based on their behavior and formal appearances, they didn't seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn't find anyone who had answers for us. A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the "unfamiliar" group collected the agreements from us.


Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background. I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of "decision makers".

At this point, I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments. I remember many of us in the group immediately looking at each other in confusion. At the time, I didn't know what a private prison was but I wasn't the only one. 

Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we'd be able to buy shares. Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions. 

He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled. Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice. He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as an employee, we'd also be able to buy personal stocks in these prisons.

Immediately, silence came over the room. You could have heard a pin drop. I remember looking around to make sure I wasn't dreaming and saw half of the people with dropped jaws. My daze was interrupted when someone shouted, "Is this a f****** joke?" At this point things became chaotic. Two of the men who were part of the "unfamiliar" group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene. One of them pulled out a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside. 

My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed an agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business and nothing we'd want to challenge without risking consequences. We all protested and as he walked back into the house I remember word for word the last thing he said, "It's out of my hands now. Remember you signed an agreement." He then closed the door behind him. The men rushed us to our cars and actually watched until we drove off...

As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves... Violence and drug use became a central theme in most rap music. I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities.

I officially quit the music business in 1993 but my heart had already left months before. ...Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration.


Thanks to S for the tip!

Related - Rap Music's Blatant Satanism

Wes Penre - How CIA and Military Control Music Industry 

Scruples - the game of moral dillemas

You can find this article permanently at

Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at

Below -- Immigration- We are Paying to be Replaced (scroll down)

Rap Music's Blatant Satanism

February 20, 2019

 Tekashi 6ix9ine, 22, left, struck a plea deal with federal prosecutors in Manhattan Tuesday. The rapper
admitted to various crimes, including racketeering, weapons charges, drug trafficking, and conspiracy. 

Jazz is a credit to African Americans. Hip Hop, on the other hand, is
a disgrace. In honor of Black Histrionics Month, and in keeping with our
commitment to diversity, we reprise this article on hip-hop, a genre 
clearly dedicated to degrading Blacks. Why do they celebrate depravity?  

Popular themes in many rap songs are: Kidnapping people's children and holding them ransom, murdering people, bragging 
about their sexual conquests, breaking into people's homes and robbing them.

by Ryan


Very few people actually listen to the lyrics in the music they enjoy.

Music companies don't even bother to hide the messages subliminally. People just aren't paying attention to the words, so it has the same effect. It has a nice beat and they listen to it.

Rap music is probably the worst influence of all judging by the lyrics.

hip.jpegIf you look at the lyrics for popular rap groups like "Three 6 Mafia" left, or "Tech N9ne", the lyrics are openly Satanic.

Look at the names, "Three 6 (666) Mafia"... I mean, how much more obvious can it be with a name like that? Here are some examples from Three 6 Mafia's song, "Fuckin Wit Dis Click" :

"I'm on a cross Lucifer please cut me free (cut me free)
I'll draw your portrait if you pull these nails out my feet (nails out my feet)
My cross turns upside down"

"No Lord could stop us now
Cause the demons reborn again"

"Follow me into the trees
Watch me rob Adam
And watch me rape Eve"

These are just a few lyrics from one of their songs. Three 6 Mafia is only one example, and they are not some obscure underground rap group.

They are a mainstream Grammy-winning group. In interviews when they are asked about the meaning of the group's name, they say it is because the group started with three members, and then they added three later, so "three six".

But this is not true, their original name was "Triple 6 Mafia", triple six = 666, and judging from their lyrics, I don't think it's much of a stretch to believe that they purposely named their group after Satan.

Their lyrics started out being overtly Satanic, but lately as they have become more mainstream. They have shifted the theme of their lyrics to sex, drug use, murder, and bragging about their wealth.

T9.jpegTECH N9NE

Another rapper, Tech N9ne, named after the Tech 9 machine pistol, is a very famous rapper.

He is known for his ability to rap backwards. He speaks gibberish sometimes but audio software reveals the secret messages.

Here is the chorus of Demons, "There's a demon inside of me, can I kill it? Hell no! Can I kill it? Hell no! Can I kill it? Hell no!"

Reverse the song and you can hear another message, "Hell is coming, onward! Hell is coming, onward! Hell is going to keep us enemies my friend."

People say this is just a coincidence, but reversing his gibberish or lyrics always comes out sounding very dark and bizarre. He has one song called, "In the Trunk" where he raps about how he locked a girl into his car trunk and leaves her in there for two days with music blasting so nobody would hear her yelling for help.

Other themes in many popular rap songs are: Kidnapping people's children and holding them ransom, murdering people, bragging about their sexual conquests, breaking into people's homes and robbing them.

And of course, they are talking about their drug use in almost every song.

Songs like Lil Wyte's "Oxycotton" (rapping about taking OxyContin hydrocodone tablets), Juicy J's "Can't (say no to drugs)", there are far too many to mention here.

jc.jpegIn Juicy J's music video for "Geeked Up Off Them Bars" he plays video games with some hot girls, smokes weed, drinks codeine syrup, waves bottles of prescription Xanax and Hydrocodone in front of the camera and raps about crushing the pills and snorting them.

He also often brags about having 80 million dollars in his bank account and how he is never going to get married, because like he says in his song "I'm 100", "I'm a never get married, there's too much p*ssy, why not share it?"

The rappers make it very clear that they make enough money to live a non-stop party with as many drugs and beautiful women as they want, and they will shoot you if you make them mad. And they are the role models for this generation of young men. They would be our example of "Alpha Males" if you want to use that term.

The rapper "Too Short" raps about his sexual success with women in all of his songs. He mocks monogamous men in his song "I'm a Player", he says, "You've got one girlfriend and see her every night...look at your watch it says 6:22, run back to the house to say baby I love you".

He loves to make fun of guys who only have one girlfriend. In his song "Couldn't Be a Better Player" he says, "The fact still stands you've got one girlfriend, and I feel like the whole world's pimp." So the message is that a real man gets lots of women, and only a punk or loser gets stuck with one woman.

Is it a coincidence that if you boil it all down, modern rappers have the same basic message in all their songs?

When rap music was born in the 1980's it was about protesting inequality and giving the people in the ghetto a way to express themselves. It was an expression of street culture.

 But somewhere along the line it got hijacked by the record companies who promote the groups they want to be successful, and now rap is all about getting rich at all costs, killing your enemies, living like a playboy, getting high, and devil worship.

The Illuminati watchword, "We corrupt in order to control," could not be more apparent.

Ryan is a 24-year-old Vancouver man who recently wrote about the dating scene.

First Comment from MS

Those of us who were around when hip-hop emerged in the early 80s (arguably late 70s) can attest that rap has been hijacked by Tavistock.  Any popular artistic or cultural movement which gains a mass following will inevitably be hijacked and used to deliver poison.  The same thing happened with rock music.

Dr. John Coleman argues that rap music was conceived and crafted by Tavistock.  I doubt that.  It was an organic outgrowth of the gritty streets of New York.  For the first decade or so, rap music was either (a) playful/romantic, or (b) a battle of MC-ing skills, or (c) socially conscious.  Strong voices advocating social awareness and self-improvement were found in the likes of KRS-One, Public Enemy, A Tribe Called Quest, and De La Soul.

Before "bitch" and "ho" become synonymous with "woman", social rap highlighted the plight of the black woman and the need to preserve her dignity and security.

In fact, in the late 80s social rap was the defining genre of hip-hop.  As the self-confidence of blacks started to emerge, the overlords became displeased.  Immediately--in the early 90s--gangsta rap of the NWA variety mysteriously emerged in the West Coast, and the rest is history.

Hiphop was once a creative and positive outlet for frustrated urban black youth in America.  It still is in many quarters which don't see the light of day.  But the author is correct--popular rap today is overwhelmingly dark and corrupt.  Like death metal.

The same thrust which drove the playful lyrical battles of MCs in the 80s was corrupted to fuel deadly cross-continent feuds by fools posing as rappers, high off drugs, guns, and "hos".

The song "Self Destruction", part of the "Stop the Violence" campaign, was a popular example of social rap:  Self Destruction.  You will notice they were aware that rap music was being manipulated.

Gordon writes:

Your article missed one of the most glaring aspects of Rap Music's Blatant Satan-ism, ie the predisposition of those Negroes who make it to the top of that dungheap, to traipse-around with white women as arm candy.  Odd,  is it not? that their peculiar form of racial discrimination goes un-remarked by those who purchase the poisonous product.

One of the least scrutinized themes of modern dialogue dealing with 'race', is : the fact that ordinary decent colored women hate the 'white bitches' for stealing their potential husband material.  Along the same line as the real-world statistics on the failure of mixed marriages =  utterly politically-incorrect.

Malcolm X was making great strides, personally,  in understanding what the Fascisti who run the US of A, were then doing = and continue doing = to his people.   Regardless of all the unpleasant aspects to his programme,  one has to admire Louis Fahrakan for loving his own race ... you won't see no god-damned cRap ( so-called )  "music" in his community

rest in Peace, Malcolm, 'til the Resurrection

Scruples - the game of moral dillemas

You can find this article permanently at

Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at

Comments for "Rap Music's Blatant Satanism "

John C said (February 20, 2019):

All about normalizing the elite’s agenda through rap videos or other types of memes heavy metal comes to mind in the 80, and 90s disguised as music with satanic symbolism to include the satanic Black Mass. The only difference now is the rappers have risen to the top or depending on one’s view it could be the bottom. They even summon the devil or conduct mock sacrifices for entertainment. The only thing left is real crucifixions or real sacrifices conducted on stage or seen as part of the video in 20 to 30 years from now the masses may accept the real thing. Gorgoroth Possessed by Satan Black Mass-Kraków 2004

James C said (February 20, 2019):

You wrote: "Now rap is all about getting rich at all costs, killing your enemies, living like a playboy, getting high, and devil worship."

All of these trends were predicted in biblical prophecy. "In the last days ... men will be lovers of money" (2 Tim. 3:1-2).

"The rest of mankind ... did not repent that they should not worship demons.... And they did not repent of their murders, or their drugs or their sexual immorality or their thefts" (Rev. 9:20-21).

Len said (August 9, 2012):

Michael Jackson admitted he sold his soul to the devil (and other artists)
(2 minutes)

Uploaded by AprilandWayneShow on Jan 16, 2012

Michael Jackson admitted his sold his soul to the devil. anything for money
(video by daughter)

I saw Michael Jackson Mohn Lennon, Selena in Hell: Testimony:

Jackson a Satanist

Artists Who Sold their Soul to the Devil Pt 2

Derrick said (August 9, 2012):

There have been and continue to be many discussions on the current path of "Hip Hop" and "Rap" music. Growing up in Brooklyn during the 1970s gave me a "birds-eye" view of the birth of "Hip Hop" and "Rap" music. It seems the decline in the quality of "Hip Hop" and "Rap" music correlates with increased commercialization of said music. An interesting book to read is "The Hip Hop Wars: What We Talk About When We Talk About Hip Hop and Why It Matters: Author Tricia Rose" This book highlights the changes "Hip Hop" and "Rap" music have gone through.

There are many "Hip Hop" and "Rap" artists who have yielded "intelligent", "intricate", or "complex" lyrics without degrading themselves or women. As you may have guessed this style will not be played on the "commercial" radio as this style of music may be considered "Political" or "Conscious" and there will be not of that !!

So, yes there is a "Satanic" thread in much of the commercial "Hip Hop" and "Rap" music played on the radio however, there is an "underground" outlet where artistic music labeled "Hip Hop" and "Rap" can be heard which is refreshing and uplifting.

Steve said (August 7, 2012):

Jay-Z Pyramid and all-seeing eye. Kids are being brainwashed into thinking this is "hip".

Keep up the good work!

Carl said (August 6, 2012):

Your articles on Rock music are very accurate -- especially the current one by Ryan -- here's a quote by Keith Richards regarding the song "Sympathy for the Devil.":

Keith Richards (2002): "Sympathy is quite an uplifting song. It's just a matter of looking the Devil in the face. He's there all the time. I've had very close contact with Lucifer - I've met him several times. Evil - people tend to bury it and hope it sorts itself out and doesn't rear its ugly head. Sympathy for the Devil is just as appropriate now, with 9/11. There it is again, big time. When that song was written, it was a time of turmoil. It was the first sort of international chaos since World War II. And confusion is not the ally of peace and love. You want to think the world is perfect. Everybody gets sucked into that. And as America has found out to its dismay, you can't hide. You might as well accept the fact that evil is there and deal with it any way you can. Sympathy for the Devil is a song that says, Don't forget him. If you confront him, then he's out of a job."

Here's the lyrics of the song which pretty much sums up what "most" of your readers already know as the truth:

Sympathy For The Devil
Songwriters: Jagger, Mick; Richards, Keith;

Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long year
Stole many a man's soul and fate

I was 'round when Jesus Christ
Had his moments of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name, oh yeah
But what's puzzling you
Is the nature of my game

I stuck around St. Petersburg
When I saw it was a time for a change
Killed the Czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a General's rank
When the Blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
What's puzzling you
Is the nature of my game, oh yeah

I watched the glee
While your kings and queens
Fought for ten decades
For the Gods they made

I shouted out
"Who killed the Kennedys?"
Well after all
It was you and me

Let me please introduce myself
I'm a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached Bombay

Pleased to meet you
Hope you guess my name, oh yeah
But what's puzzling you
Is the nature of my game, oh yeah

Pleased to meet you
Hope you guess my name, oh yeah
But what's confusing you
Is just the nature of my game, ooh yeah

Just as every cop is a criminal
And all the sinners saints
As heads is tails just call me Lucifer
I'm in need of some restraint

So if you meet me, have some courtesy
Have some sympathy and some taste
Use all your well learned politics
Or I'll lay your soul to waste, mmm yeah

Pleased to meet you
Hope you guess my name, mmm yeah
But what's puzzling you
Is the nature of my game, get down
Woo hoo, ah yeah, get on down, oh yeah

Tell me, baby, what's my name?
Tell me, honey, baby guess my name
Tell me, baby, what's my name?
I'll ya one time you're to blame

What's my name?
Tell me, baby, what's my name?
Tell me, sweetie, what's my name?


Dan said (August 6, 2012):

Listen to Jay Z play dumb when asked about the blatant occult secret society references that saturate his lyrics and videos.
By the end of the radio interview he and the interviewer burst into laughter.

The recording industry, as part of enter-trainment, is the domain of an especially peculiar caste of Illuminati that are bull-queer sado-masochist mafioso Satanists. That was so long before rap, long before Motown and Soul, before Blues legend Robert Johnson sold his soul to Satan one night at a dirt crossroad between Ruleville and Cleveland, Mississippi in 1932.

Bluesmen that knew Johnson said he could hardly carry a tune when suddenly he played like a genius. In 1938 Johnson several witnesses watched Johnson out of his mind, crawling on hands and knees barking and growling like a dog before going into convulsions and dying in great pain. Johnson had enemies due to womanizing and it was rumored that a woman poisoned him, but the cause of death remains unknown.

He was 27. (look up "27 Club"). Johnson's music was a major influence on white rock musicians in the 60's, including Jimmy Page of Led Zepplin. Of course all roads lead to Hollywood, where Mississippi/Louisiana vodoo has merged with Crowlean Thelema - it's all Moloch worship anyway. There's nothing new under the sun.

Performers open themselves to demons. John Todd said the Illuminati didn't create the recording industry for the money; their sole interest was to get demonic spells into millions of peoples minds.

Terry said (August 6, 2012):

Great post Henry,as ever everything you post is on the nail.
Just thought I'd share a piece I read from the website re music executives & shareholders having a vested interst in the prison industrial complex.

Quite compelling & very relevant to this story.

Michael Berg Reports from Russia

February 20, 2019

Michael Berg moved to Russia recently from Israel. 
He and his family are adjusting to their new home.

by Michael Berg

Climate is extremely cold. But It didn't take long to get used to.

We have a new house in St Petersburg. A New place for my three little daughters.

Yes I like Russia. For me, Russia is better than the politically correct west but it is not much different either as 90% of what's affecting the west also affecting Russia except 3 main things which are less prominent in Russia :

1. Race: Russia is much more racially homogeneous relative to the West. You don't see that many Africans and Arabs in Russia as you see in western Europe. The vast majority of the population is White.

2. No Feminist propaganda to the degree found in the west - women are more feminine

3. No open Homosexuality: Even though Homosexuality (Same Sex Relationships) itself is not a crime it's public promotion IS.

Other than that Russia is the same as the west, It is not the "Christian stronghold" the media portrays it as. The vast majority of people are not religious in the true sense of the word. Atheism is rampant (Thanks to 70 years of Communism this is not a surprise).

The Russian Orthodox Church has very little influence on the population. Most people are not truly religious.

Promiscuity in Russia is as widespread in Russia as in the west. The idea that a woman should dedicate herself, her body and sexuality to only one man is as alien to the Russians as in the west, this is due to what I call "silent Feminism". Although Russians are at least trying to restore marriage- something the west doesn't do.

Most people here are just as selfish and self-centred as in the west.

This is due to what I call "silent Feminism" as women are still empowered and marry at a relatively older age than they ideally should. Feminism here is less toxic than in the west but it exists nonetheless. It only depends on what amount of the poison are you willing to tolerate before you die.

Overall Russia despite being better than the west in some respects in the vast majority of areas I find no difference.

But is it better than Israel, Western Europe and America?

Yes it is. BUT NOT BY MUCH.

The only positive thing about Russia is its nationalism, patriotism, its strong stance against open homosexuality, radical feminism and it's relative lack of non-white immigration.

But feminism still exists and it negatively affects families and society. The only difference is is that it isn't nearly as bad as in the west (There's no #MeeToo and anti-male propaganda for example)

I can go to more detail. But you get the point.

Russia isn't a Christian or traditionalist heaven.

Nor do I want it to be yet it is still better for my daughters than Israel or Western Europe.

Hardworking East European Migrants Displace Locals in Farming Town (Documentary)

February 13, 2019

Hardworking East European Migrants Displace Locals in Farming Town 

This documentary is about the effect of migrants on the economy of
a small East Anglia farming town. 
We usually think of Muslims or Africans when we think of migrants, 
but most of these migrants are from Eastern Europe. 
These hardworking migrants have displaced native British, 
some of whom of grown soft on "benefits."

Charles Lindbergh: Aviation, Geography, and Race Reader's Digest, November 1939

February 9, 2019

Charles Lindbergh: Aviation, Geography, and Race  Reader's Digest, November 1939

We, the heirs of European culture, are on the verge of a disastrous war, a war within our own family of nations, a war which will reduce the strength and destroy the treasures of the White race, a war which may even lead to the end of our civilization. And while we stand poised for battle, Oriental guns are turning westward, Asia presses towards us on the Russian border, all foreign races stir restlessly.

 It is time to turn from our quarrels and to build our White ramparts again. This alliance with foreign races means nothing but death to us. It is our turn to guard our heritage from Mongol and Persian and Moor, before we become engulfed in a limitless foreign sea. Our civilization depends on a united strength among ourselves; on strength too great for foreign armies to challenge; on a Western Wall of race and arms which can hold back either a Genghis Khan or the infiltration of inferior blood; on an English fleet, a German air force, a French army, an American nation, standing together as guardians of our common heritage, sharing strength, dividing influence.

Our civilization depends on peace among Western nations, and therefore on united strength, for Peace is a virgin who dare not show her face without Strength, her father, for protection. We can have peace and security only so long as we band together to preserve that most priceless possession, our inheritance of European blood, only so long as we guard ourselves against attack by foreign armies and dilution by foreign races.

We need peace to let our best men live to work out those more subtle, but equally dangerous, problems brought by this new environment in which we dwell, to give us time to turn this materialistic trend, to stop prostrating ourselves before this modern idol of mechanical efficiency, to find means of combining freedom, spirit, and beauty with industrial life -- a peace which will bring character, strength, and security back to Western peoples.

With all the world around our borders, let us not commit racial suicide by internal conflict. We must learn from Athens and Sparta, before all of Greece is lost.